Don't Come Knocking 2005 Film complet filmtoon
Movies Detail of Don't Come Knocking (2005)
✓ Title : Don't Come Knocking
✓ Release Date : May 19th, 2005
✓ Genre : Drama
✓ Runtime : 123 minutes
✓ Director : Wim Wenders
✓ Writers : Wim Wenders, Sam Shepard
✓ Companies : Reverse Angle International, Reverse Angle Production, ARTE France Cinéma
✓ Countries : France, Germany, United States of America
✓ Cast : Fairuza Balk, Rachel Amondson, Gabriel Mann, Tom Farrell, Jessica Lange, Sam Shepard, George Kennedy, Eva Marie Saint, Tim Roth, Sarah Polley
✓ Release Date : May 19th, 2005
✓ Genre : Drama
✓ Runtime : 123 minutes
✓ Director : Wim Wenders
✓ Writers : Wim Wenders, Sam Shepard
✓ Companies : Reverse Angle International, Reverse Angle Production, ARTE France Cinéma
✓ Countries : France, Germany, United States of America
✓ Cast : Fairuza Balk, Rachel Amondson, Gabriel Mann, Tom Farrell, Jessica Lange, Sam Shepard, George Kennedy, Eva Marie Saint, Tim Roth, Sarah Polley
Synopsis of Don't Come Knocking (2005)
Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
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◈ Movie Trailer Of Don't Come Knocking - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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