Movies Detail of The Face at the Window (1998)

✓ Title : The Face at the Window
✓ Release Date : January 8th, 1998
✓ Genres : Horror, Mystery
✓ Runtime : 96 minutes
✓ Directors : Radamés Sánchez, Carlos García
✓ Writers : Radamés Sánchez, Carlos Camuñas
✓ Company : Randolcam
✓ Country : Puerto Rico
✓ Cast : Sylvia Santiago, Mariyeli Guseman, Gil Raldiris, Hector Ocasio, Olga Nolla, Jaime Hamilton, Axel Anderson, Edgar F. Quiñones, Idée Charriez, Luna Coppola

Synopsis of The Face at the Window (1998)

Sylvia is writing her first novel. This will uncover dark secrets from her family's past; a past that now returns to haunt her. Disturbing, strange, frightening ghost story set in an exotic Spanish colonial city by the sea. A tale of mystery and terror that will keep you guessing from start to end.




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The Face at the Window (1998)

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The Face at the Window Ganzer Film Kostenlos - This is a literary genre sharing the setting with crime fiction (especially detective stories). Though deriving from the romantic tradition, which emphasized the emotions of apprehension, horror and terror, and awe, hardboiled fiction deviates from the tradition in the detectives cynical attitude towards those emotions. The attitude is conveyed through the detectives self-talk describing to the reader (or – in the film – to the viewer) what he is doing and feeling.

The Face at the Window Watch Full Movie Online No Sign Up - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.


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